A year with the Fujica GW690

A bit over a year actually, but time flies when you're having fun. Some of my best photographs of the past year were taken with this camera. This is the most recent, a long exposure from just upstream of Elbow Falls. Film is Kodak Gold 200.

A couple things have come together to produce this particular blog. It started as I was browsing through images looking for something suitable for VERO #momo or Monochrome Monday. I found a few places where I hadn't done my Lightroom key-wording right, and as I was fixing that I found some images I'd lost track of. It was nice going back over them. And yes, I did select an image and put it up on VERO. (Look at the top of the blog roll for a link to my VERO photos.) This one, if you were wondering. It's one of the first images with this camera, taken on a road trip right after picking up the camera. Film is Acros II.

I've put about 45 rolls through the camera since late March 2022 and have thoroughly enjoyed the whole process. Keep in mind that I'm not an old school film photographer that converted to digital and then went back to film as a nostalgia trip. My only film experience was a point and shoot using the cheapest film that Black's sold. More recently I'd read about film photography and wanted to at least try it. A friend generously lent me a couple 35 mm Nikons, but they never felt happy in my hands and I struggled with the split ring prism.

Then I picked up the Fujica GW690 in a film photography store in Longview, Alberta. (Yes, this tiny little town is a mecca for film photography.) It felt right at home in my hands, and I hadn't known I was a rangefinder guy till I tried to focus it. For all that it's a huge camera mostly made of metal, it does not feel heavy or clunky. It feels solid and comfortable. There's 3 versions of it but I have the original. It first came onto the market about the time I was graduating high school.

I had to essentially learn the differences between film and digital photography. The camera doesn't use batteries at all; thus no auto functions and no light meter. It does exactly what it's told to do. I use my phone and have got pretty good at estimating the settings for the light and the image I want. Most film can cope with being a stop or two wrong, especially if you tend to over expose. Digital photography changed the way I look at the world, and film photography has changed it again.

But, I hear some readers saying. But why film? But isn't it expensive? But isn't it a drag waiting to finish the roll and then wait to get it developed? But don't you have to convert to digital anyway, so why bother with film?

Digital is all about the end product right now. Why not take the photo of some random scene? Take another, just in case. Goofed on the settings? Chimp your brains out. Keep taking more images till you get what you want. Edit and filter it to your heart's content. Let an AI product have a go at it to make it into the photo an algorithm decides to create. Drop it on Instagram and wallow in the likes. 

To some extent, comparing digital to film photography is comparing apples and oranges. Yes, they're both fruit, but there's a lot of differences. Lots of people have done image comparisons, but I don't have the technical expertise to do that in a meaningful way.

Film is more deliberate, especially with an older camera. I put more thought into the images, or potential images. I tend to edit them very lightly in Negative Lap Pro mainly because I'm not trying to make them look perfect or like digital. About the only thing I do in Lightroom is spot removal. 

I enjoy the process of manual film photography. Deciding which camera to take (I have 2 film cameras, and one digital that I could take for a walk.) Deciding which film, if there isn't film in the camera already. Thinking about where to go and what I might find there. Then looking at the various scenes and thinking if they would make a good film image, or how to work the composition to get a good image. Adjust the settings and focus, 2x everything, relax, and click. Or rather, ping! The GW690 makes a mechanical ping sound, which is not the leaf shutter. I'm told it's the mechanism on the bottom of the camera  that counts the number of rolls, but I'm not sure why or how accurate it is. 

Then I drop the film at the lab, and typically a couple days later I can pick up the big beautiful negatives. If I've done everything right the images amaze me. I've goofed a few times on various aspects, which is to be expected and it's a learning experience. When I say big negatives, I'm not kidding. They are 6 cm high x 9 cm wide. This is about 5 times the area of a 35mm negative, and commensurately more detail. How much detail, you ask?

Look at these two images. My favourite model Michelle and her husband, as I was showing off the new to me camera. The film is Acros II on an overcast day. This digital image was captured from the negative using a Canon EF 100 mm f2.8 L macro lens, and lightly edited in Negative Lab Pro.

This is not a digital zoom of the above image, it's photographed again using a Canon MP-E 65mm macro at about 1:1. This image is about 15 or 16 mm wide out of the original negative, and was edited slightly differently.

 

That tells me if I do everything right, and have a subject worth it, I could print an image about 10 feet across, detailed enough to count individual hairs. I'm not likely to need any more resolution than that.

Part of the process is conversation. The only people that talk to me when I'm using a digital camera are the people at the event that know me, and it's seldom about the camera. When I'm around other people with the big film camera, lots of people ask, and a surprising number are familiar with it, or know of it. I've had some lovely conversations with other photographers that started with the camera. Like this one. The guy on the left used to shoot film, and was thinking about it again. I never would have asked to take their photo if I hadn't been carrying the film camera. We had a nice chat as we strolled the beach. Film is Kodak Gold 200.

One of my best photos from last year with this camera was during a Yukon trip in September. I took along Kodak Gold 200, and was stunned at the colour. This photo is handheld. You can see other photos from the Yukon trip here, including this one.

As for the expense, the camera itself is much, MUCH cheaper than a digital camera and lens system. I can't find the paperwork, but I think I paid $650, and a version 3 of it is available for $1100. After buying it, my only expense is buying film and paying to have it developed. Most 120 film is about $10 to $15 a roll, some a little bit cheaper, some lots more expensive. Developing costs just over $10 a roll, so I tell people my cost is about $25 per roll, for 8 photos per roll. Eek! Some say $3 a photo, when digital is free? Are you out of your mind? 

Keep in mind that digital isn't free. You had to buy the camera, the lens(es), SD cards, a computer and probably an external hard drive, and a program like Lightroom or Photoshop. Without even trying that could be a $5K up front cost, and could easily be $10K. 

I can expose a lot of film for that much money. But really, lets say I expose a roll a week, that comes to $1300. No hobby is free. There are people that drop that much at Starbucks every year. Plus when I see a sale on film I can stock up. 

Is this the perfect camera? Of course not. It's not even the perfect film camera. It can't focus closer than about a meter so macro photos are right out. Most of them have the T shutter speed, rather than a B, so there's a trick to long exposures, and exposure times between 1 second and 5 seconds or so are kind of tough. The lens is a fixed 90mm. To say it's not unobtrusive is a huge understatement, so it's not the camera for stealthy street photography. The ping, or rather PING sound of taking a photo is off putting for some people. Some people are not fans of range finder cameras. Some want (need!) a light meter.  Whatever.

But it's become my favourite camera. I don't take as many photos with it but it's fun carrying it around as I look for, or create photos. I think about projects I can use it for. Here are some photos of it with my DSLR for a size comparison. Looking forward to making lots more photos with it!

So that didn't work 2x, and a Lomo 100 review

Part of the fun of film is not knowing what you'll actually get once it's developed. You can plan, do exposure calculations, double check focus and lens cap removal, and still be surprised. This image, for example.

I was out for a walk with some buddies in the Forest Lawn neighbourhood, informally known in Calgary as The Hood. With that clue, some of my readers know exactly where I was for that photo. Then again, if you squint you can probably read the street sign.

Those of you that have followed along know I've been doing some long exposure work on film, mostly with running water so far. I'd been thinking about traffic, wondering how that would turn out. Yes, light trails at night are fun, but I was thinking of daytime.

The Co-op store and gas station was an ok background, but what I was really after was the blurs from passing traffic. So two points. I'd carefully double-checked the exposure with a 10 stop ND filter and with Kokak Gold 200 loaded (It was what was in the camera for a previous session that didn't happen.) I came up with a 13 second exposure. That much worked out just fine. 

Here's where the guesswork came in. I had no idea if the vehicles would be in the frame long enough to captured or not. Pretty much not. The one above is the best of the bunch, and you'd have to be pretty keen-eyed to find the transit bus in there. Look for the faint horizontal white streaks across the middle of the frame. It was just sitting there, off to the left of the frame for several seconds after I opened the shutter. I had hoped to see that as a faint but recognizable image, then the ghost trail heading right and fading out as the bus accelerated.

Here's where I goofed. I took all 8 images at the same exposure time, plus or minus a second or so, varying the traffic conditions. What I should have done is open the shutter a stop for each new exposure and shortened the exposure time accordingly. I started at f32 and 13 seconds, should then have done f22 and 7, f16 and 4, f11 and 2, then f8 and 1 second or so. With the GW690 those last two would start getting tricky as the camera has a T mode, not a B mode for long exposures.

At some point, I think I'd get the results I'm looking for. Of course, as the shutter time gets short, it also becomes more tricky to time the traffic. Once I know which exposures work, then it's time to find the right composition, where the background is actually interesting.

In one of the eight exposures a man is walking through the intersection while the shutter is open. He'd held back a bit to stay out of my photo, but I told him to do his thing, that I was hoping to see him as a faint blur. Can't see him at all.

That was the first thing that didn't work. I found out the other thing that didn't work shortly after the long exposures. I'd also taken the Canon 7 along, loaded with Flic Film Elektra 100. I was happily finding window reflection photos, knowing I was near the end of the roll. Then I looked at the camera, thinking I had to be at the end of the roll. It said 39. I know sometimes you can get 37 and maybe 38 out of a roll of 36, but 39 was a surprise. I figured maybe because it was an off brand it had been cut a few inches longer.

I did 40 and was sure there was a problem. Most likely I hadn't loaded it correctly and I hadn't made any exposures at all. Or that the film wasn't anchored properly in the canister as a manufacturing defect, and it had come out to be spooled onto the take up side. 

I started to rewind, and within a couple turns I got that subtle click that told me the film had been rewound into the canister. Oops. I ended up going to London Drugs and asked nice if the tech could pull it back out for me. There is a special tool for this. It only took him seconds. In the mean time I've got some Acros II loaded, so when it's done I'll reload the Elektra and try again. 

The Lomography 100 you ask? This is a cheaper film brand that I associate with variable colour chemistry, and with cheap plastic cameras. Still, I picked up a 3 pack of 120 for a good price and figured I'd try it. 

There is an alley near the above Co-op that has been painted as part of a beautification process. I'm dumbfounded there is no graffiti. We strolled and I thought I'd see how the paint turned out in the bright sunlight. I'd forgot that the GW690 gives me a pentagram flare when aiming into the sun, and that spoiled a couple of photos. Here's the best of the rest.

I didn't have to tweak the exposure in Negative Lab Pro or Lightroom. There were minor adjustments, and some dust removal. I'm pleased at how the colours are rendered. This film seems to do really well in bright sunlight. I have a few exposures taken in Fish Creek to see how some natural colours show up. There's 3 left on the roll as I write this. Maybe I'll have another go at some long exposures. I'd buy more of this.

My photo walk buddies, both checking the back of their cameras. They both occasionally carry film cameras, but were doing digital that day. I went just with film.